Nothing In Common
September 27, art-space “Kvartira 57” — new exhibition of UPHA’s (Ukrainian Photographic Alternative) participants: Roman Minin, Marina Frolova and Yaroslav Tymchishin curated by Yaroslav Solop and Ekaterina Radchenko. Authors of the project about the exhibition: Today is time of clichés,
Nothing In Common
September 27, art-space “Kvartira 57” — new exhibition of UPHA’s (Ukrainian Photographic Alternative) participants: Roman Minin, Marina Frolova and Yaroslav Tymchishin curated by Yaroslav Solop and Ekaterina Radchenko. Authors of the project about the exhibition: Today is time of clichés,
Cult Of The Body
In association with Bardens Boudouir, Leisure presents the second of it’s summer exhibitions at a brand new space in the heart of the East End. A group photography show ‘Cult of the Body’, curated by Misha Pedan, founder of the
Cult Of The Body
In association with Bardens Boudouir, Leisure presents the second of it’s summer exhibitions at a brand new space in the heart of the East End. A group photography show ‘Cult of the Body’, curated by Misha Pedan, founder of the
“Games of Libido” is a farewell to youth
“Games of Libido” is a salad made of photographs smacking of paradise, the salad which evokes a fancy world of metamorphic mysteries. The carnival insolence of youth which is slipping away is frank and shameless. The author exhumes recollections turning
“Games of Libido” is a farewell to youth
“Games of Libido” is a salad made of photographs smacking of paradise, the salad which evokes a fancy world of metamorphic mysteries. The carnival insolence of youth which is slipping away is frank and shameless. The author exhumes recollections turning
Two views on ukrainian photography
This exhibition was structured in two parts — alternative young photography curated by Misha Pedan (UPHA) and more traditional selected by Vadim Kozlovsky from National Ukrainian Photography Organization. Both parts resembled their views on condition and future of young ukrainian
Two views on ukrainian photography
This exhibition was structured in two parts — alternative young photography curated by Misha Pedan (UPHA) and more traditional selected by Vadim Kozlovsky from National Ukrainian Photography Organization. Both parts resembled their views on condition and future of young ukrainian